Early Renaissance keeps values measured and balanced, a hallmark of tonal restraint. Warm hues command this palette; it favours the reds, oranges, and yellows of firelight and earth. Mid-range chroma keeps the palette grounded - colourful but not strident. The most saturated colour, #C09359, is reserved to 10.5% of the surface, where it acts as a focal punctuation. At 59 units of value range, the palette has the tonal breadth to sustain complex spatial readings.