The value structure of Divisionism is mid-key: quiet, controlled, and cohesive. Warm and cool tones are held in careful balance - neither family dominates, creating tension and resolution simultaneously. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #AB9A7A - appears at just 11.0%, deployed as a precision accent against the quieter ground. Spanning 47 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation.