Carl Haag is strongly light-biased - shadow is suggested rather than declared. Yellow, ochre, sienna: warm hues that Carl Haag deploys as the palette's primary energy. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #7A4C30 - appears at just 6.8%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 61 units of the value scale - a span that creates natural depth. This is palette 2 of Carl Haag's sequence - a single chapter in a chromatic story told across many works.