The palette of Adam van Noort sits in the lower register of the value scale - dense, contained, and weighted. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #282014 claims 42.6% of the surface, functioning as the work's tonal foundation. #DFBC53 delivers the chromatic peak at only 2.0% - a small shot of colour with outsized visual impact. The full value range is 59 units: broad enough to build convincing three-dimensional form. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 3 of Adam van Noort's sequence - a single chapter in a chromatic story told across many works.