William Orpen sits in the centre of the value range, lending the palette a sense of even, sustained light. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. A restrained, mid-chroma palette: every hue is present and legible, but nothing shouts. #10427E at 0.9% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. 62 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. In the context of William Orpen's full range of palettes, group 8 represents one movement in an ongoing chromatic dialogue.