Light floods wildlife painting; the palette keeps values pale and airy across its range. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The dominant colour, #C0C3C3, takes 33.8% of the total area, establishing the overall mood before any other hue is introduced. Only 3.5% is devoted to #E2D294, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 68 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.