still life is strongly light-biased - shadow is suggested rather than declared. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #D4CCBE claims 25.3% of the surface, functioning as the work's tonal foundation. At 10.1%, #CCB78A carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. At 59 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.