Mid-key values give Robert Zund its characteristic quietness - nothing blazes, nothing disappears. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. Only 9.2% is devoted to #6A6A44, yet that small allocation delivers the palette's entire chromatic tension. A value spread of 57 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. In the context of Robert Zund's full range of palettes, group 3 represents one movement in an ongoing chromatic dialogue.