The palette of Paul Henry sits in the lower register of the value scale - dense, contained, and weighted. Paul Henry orchestrates warmth above all else - reds, ambers, and siennas take the lead. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The most saturated colour, #3E2F1D, is reserved to 9.6% of the surface, where it acts as a focal punctuation. Spanning 41 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. Together these qualities place Paul Henry firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. This is palette 5 of Paul Henry's sequence - a single chapter in a chromatic story told across many works.