Neoclassicism is low-key throughout, a quality associated with Abyssal Sienna - deep shadows dominate the composition. The palette orchestrates warmth above all else - reds, ambers, and siennas take the lead. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #C28F54, is reserved to 2.1% of the surface, where it acts as a focal punctuation. 66 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere.