Julius Kohnholz sits in the centre of the value range, lending the palette a sense of even, sustained light. Julius Kohnholz tilts toward cool - blues and silver-greys carry the structural weight. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. The highest-chroma note - #8B6B38 - appears at just 5.1%, deployed as a precision accent against the quieter ground. 57 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 4 sits within the larger chromatic argument that Julius Kohnholz's complete body of work advances.