John William Waterhouse keeps values measured and balanced, a hallmark of tonal restraint. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #462724 - appears at just 7.2%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 78 units of the value scale - a span that creates natural depth. Palette 2 sits within the larger chromatic argument that John William Waterhouse's complete body of work advances.