John Atkinson Grimshaw distributes its values across the middle register, creating harmony without high contrast. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #926C32, is reserved to 7.9% of the surface, where it acts as a focal punctuation. 65 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. John Atkinson Grimshaw's palette 6 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.