Jean Baptiste Vanmour dwells firmly in the shadows, with no more than a whisper of light. Jean Baptiste Vanmour orchestrates warmth above all else - reds, ambers, and siennas take the lead. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. The highest-chroma note - #6F4E2F - appears at just 6.9%, deployed as a precision accent against the quieter ground. 51 units of value spread create a palette that is varied but unified - contrast in the service of harmony. This tonal restraint is characteristic of the Jean Baptiste Vanmour approach: colour serves light, not the reverse. This is palette 6 of Jean Baptiste Vanmour's sequence - a single chapter in a chromatic story told across many works.