Jean Baptiste Vanmour distributes its values across the middle register, creating harmony without high contrast. Warm hues command this palette; Jean Baptiste Vanmour favours the reds, oranges, and yellows of firelight and earth. Chroma is held at a comfortable level - distinct colours, but no single hue is allowed to overwhelm. The highest-chroma note - #A25A35 - appears at just 10.5%, deployed as a precision accent against the quieter ground. Spanning 48 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. Jean Baptiste Vanmour's palette 3 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.