Values in Jane Sutherland rest in the mid-range - neither dramatically lit nor steeped in shadow. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #96775A - appears at just 7.5%, deployed as a precision accent against the quieter ground. The 20-unit value range keeps all colours in close tonal proximity, creating the unity of a single-light-source interior. This is palette 3 of Jane Sutherland's sequence - a single chapter in a chromatic story told across many works.