Jan Joest occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Jan Joest builds on cool foundations: the palette favours the blue-cyan-green arc. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. #2C3538 claims 31.2% of the surface, functioning as the work's tonal foundation. The highest-chroma note - #A67147 - appears at just 3.5%, deployed as a precision accent against the quieter ground. At 50 units across the value scale, the palette keeps contrast readable without letting it dominate. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 2 sits within the larger chromatic argument that Jan Joest's complete body of work advances.