Jan Joest distributes its values across the middle register, creating harmony without high contrast. Jan Joest tilts toward cool - blues and silver-greys carry the structural weight. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #86412D - appears at just 9.3%, deployed as a precision accent against the quieter ground. The value range of 51 units sits in the comfortable middle: enough depth, enough light, neither extreme. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Jan Joest's palette 3 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.