Jan Dirksz Both distributes its values across the middle register, creating harmony without high contrast. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The dominant colour, #231E16, takes 25.0% of the total area, establishing the overall mood before any other hue is introduced. The highest-chroma note - #CD9F5A - appears at just 2.5%, deployed as a precision accent against the quieter ground. The value range spans 59 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 6 of Jan Dirksz Both's sequence - a single chapter in a chromatic story told across many works.