Jan Dirksz Both occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Temperature is cool-dominant, with blue and green families claiming the largest areas. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #251E0D delivers the chromatic peak at only 7.2% - a small shot of colour with outsized visual impact. A value spread of 60 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 5 of Jan Dirksz Both's sequence - a single chapter in a chromatic story told across many works.