James Ward distributes its values across the middle register, creating harmony without high contrast. Cool tones set the register here - the blues and greens easily outweigh any warm accents. The absence of saturated colour is itself an expressive choice: this is a palette of restraint and atmosphere. The highest-chroma note - #C4B67A - appears at just 5.1%, deployed as a precision accent against the quieter ground. At 64 units of value range, the palette has the tonal breadth to sustain complex spatial readings. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. James Ward arrived at this balance through long practice; the palette carries the weight of that experience.