James Ward distributes its values across the middle register, creating harmony without high contrast. James Ward tilts toward cool - blues and silver-greys carry the structural weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The highest-chroma note - #645337 - appears at just 11.7%, deployed as a precision accent against the quieter ground. At 65 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. This is palette 5 of James Ward's sequence - a single chapter in a chromatic story told across many works.