Mid-key values give James Ensor its characteristic quietness - nothing blazes, nothing disappears. James Ensor tilts toward cool - blues and silver-greys carry the structural weight. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. Only 8.4% is devoted to #5C4B30, yet that small allocation delivers the palette's entire chromatic tension. The value range spans 61 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 7 sits within the larger chromatic argument that James Ensor's complete body of work advances.