The high-key values of James Baker Pyne give it an effulgent, almost bleached quality. James Baker Pyne tilts toward cool - blues and silver-greys carry the structural weight. Chroma is moderate: colours carry enough saturation to be read as colour, but the palette stops well short of garish intensity. #714C21 at 10.0% is both the most chromatic and one of the largest colours in the palette - chroma as mass rather than as highlight. The value range spans 60 units across the palette, providing the full gamut from deep shadow to near-white and ensuring clear tonal hierarchy. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Taken together, these qualities constitute James Baker Pyne's chromatic voice - distinctive enough to be read across an entire body of work.