Hubertus van Hove is strongly light-biased - shadow is suggested rather than declared. Hubertus van Hove tilts toward cool - blues and silver-greys carry the structural weight. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #DB965F - appears at just 3.8%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 70 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Hubertus van Hove's palette 1 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.