Georges de la Tour occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Warm hues command this palette; Georges de la Tour favours the reds, oranges, and yellows of firelight and earth. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Georges de la Tour gives 22.6% of the composition to a single #1B1314 - a decisive chromatic anchor. #DFCC6C functions as the palette's exclamation mark: highest chroma, lowest percentage (6.1%). 64 units of value range underpin the palette's structural clarity: the eye always knows where light falls. Taken together, these qualities constitute Georges de la Tour's chromatic voice - distinctive enough to be read across an entire body of work.