George Stubbs distributes its values across the middle register, creating harmony without high contrast. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #5B4839 - appears at just 10.8%, deployed as a precision accent against the quieter ground. Spanning 54 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 3 of George Stubbs's sequence - a single chapter in a chromatic story told across many works.