The value structure of George Stubbs is mid-key: quiet, controlled, and cohesive. Warm hues command this palette; George Stubbs favours the reds, oranges, and yellows of firelight and earth. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. 30.0% of the palette belongs to #574932, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #B68D5C - appears at just 2.9%, deployed as a precision accent against the quieter ground. Spanning 47 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. In the context of George Stubbs's full range of palettes, group 8 represents one movement in an ongoing chromatic dialogue.