Mid-key values give George Stubbs its characteristic quietness - nothing blazes, nothing disappears. Warmth dominates - the palette of George Stubbs leans heavily on the yellow-orange-red arc of the colour wheel. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #CB341D - appears at just 0.9%, deployed as a precision accent against the quieter ground. 65 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The palette is recognisably George Stubbs's own: particular in its temperature, chroma, and the economy of its brightest note.