George Frederick Watts is high-key - luminous, open, and weighted toward light. Temperature is cool-dominant, with blue and green families claiming the largest areas. Mid-range chroma keeps the palette grounded - colourful but not strident. 26.6% of the palette belongs to #EEDBB5, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #624314 - appears at just 4.0%, deployed as a precision accent against the quieter ground. The palette spans 49 value units: a measured range that delivers coherence over drama. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 1 of George Frederick Watts's sequence - a single chapter in a chromatic story told across many works.