George Elgar Hicks keeps values measured and balanced, a hallmark of tonal restraint. Warmth dominates - the palette of George Elgar Hicks leans heavily on the yellow-orange-red arc of the colour wheel. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #794F2C, is reserved to 7.1% of the surface, where it acts as a focal punctuation. At 48 units across the value scale, the palette keeps contrast readable without letting it dominate. This is palette 7 of George Elgar Hicks's sequence - a single chapter in a chromatic story told across many works.