Light floods George Elgar Hicks; the palette keeps values pale and airy across its range. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. A single dominant - #B4CEC4 at 25.9% - sets the character of the whole composition. #8A5140 functions as the palette's exclamation mark: highest chroma, lowest percentage (5.8%). The full value range is 67 units: broad enough to build convincing three-dimensional form. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 1 sits within the larger chromatic argument that George Elgar Hicks's complete body of work advances.