Frederic Edwin Church works in the upper reaches of the value scale, creating an atmosphere of brightness and expansiveness. Temperature is cool-dominant, with blue and green families claiming the largest areas. All colours lean toward grey, building depth through value rather than colour punch. The most saturated colour, #140C07, is reserved to 3.2% of the surface, where it acts as a focal punctuation. A value spread of 69 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. This is palette 4 of Frederic Edwin Church's sequence - a single chapter in a chromatic story told across many works.