Frederic Edwin Church distributes its values across the middle register, creating harmony without high contrast. Warmth dominates - the palette of Frederic Edwin Church leans heavily on the yellow-orange-red arc of the colour wheel. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #D96331 functions as the palette's exclamation mark: highest chroma, lowest percentage (1.7%). From deepest dark to palest light, the palette traverses 58 units of the value scale - a span that creates natural depth. These proportions encode Frederic Edwin Church's instinctive sense of how much of each quality the eye can hold.