Ferdinand Georg Waldmüller occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Ferdinand Georg Waldmüller tilts toward cool - blues and silver-greys carry the structural weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #713924, is reserved to 3.6% of the surface, where it acts as a focal punctuation. Spanning 50 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 14 sits within the larger chromatic argument that Ferdinand Georg Waldmüller's complete body of work advances.