Ferdinand Georg Waldmüller occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Ferdinand Georg Waldmüller builds on cool foundations: the palette favours the blue-cyan-green arc. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The most saturated colour, #7D7848, is reserved to 9.0% of the surface, where it acts as a focal punctuation. Spanning 49 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is palette 11 of Ferdinand Georg Waldmüller's sequence - a single chapter in a chromatic story told across many works.