Ferdinand Georg Waldmüller distributes its values across the middle register, creating harmony without high contrast. Ferdinand Georg Waldmüller builds on cool foundations: the palette favours the blue-cyan-green arc. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #9A7747 - appears at just 5.9%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 65 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. In the context of Ferdinand Georg Waldmüller's full range of palettes, group 10 represents one movement in an ongoing chromatic dialogue.