Elizabeth Thompson is strongly light-biased - shadow is suggested rather than declared. The palette achieves thermal balance - reds and blues, ochres and greens, each holding the other in check. Muted throughout, the palette achieves its effects through value and temperature rather than chromatic force. #CDC0A4 delivers the chromatic peak at only 7.0% - a small shot of colour with outsized visual impact. At 65 units of value range, the palette has the tonal breadth to sustain complex spatial readings. This is palette 7 of Elizabeth Thompson's sequence - a single chapter in a chromatic story told across many works.