The high-key values of Elizabeth Thompson give it an effulgent, almost bleached quality. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #F4FBFB at 41.9% of the palette: an overwhelming presence that pulls all other colours into its gravitational field. At 4.4%, #D18F78 carries the palette's sharpest chromatic charge: an accent that earns its place precisely because it is withheld. The value range of 50 units sits in the comfortable middle: enough depth, enough light, neither extreme. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively. Palette 2 sits within the larger chromatic argument that Elizabeth Thompson's complete body of work advances.