design is strongly light-biased - shadow is suggested rather than declared. The palette tilts toward cool - blues and silver-greys carry the structural weight. Saturation is measured and controlled, giving the palette presence without visual aggression. #945527 functions as the palette's exclamation mark: highest chroma, lowest percentage (2.7%). A value spread of 59 units gives the palette both depth and air - shadows are genuinely dark, lights genuinely light. The palette has the character of outdoor light: cool, mid-bright, with colour rendered faithfully rather than expressively.