Cornelis Kimmel is strongly light-biased - shadow is suggested rather than declared. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. The highest-chroma note - #9D785C - appears at just 3.7%, deployed as a precision accent against the quieter ground. At 50 units across the value scale, the palette keeps contrast readable without letting it dominate. High luminosity and cool temperature suggest the plein-air condition: unfiltered daylight and open sky. Palette 1 sits within the larger chromatic argument that Cornelis Kimmel's complete body of work advances.