Constructivism is strongly light-biased - shadow is suggested rather than declared. Neither warm nor cool has the upper hand here; the equilibrium between the two generates the palette's visual energy. Mid-range chroma keeps the palette grounded - colourful but not strident. 42.5% of the palette belongs to #F3C28C, a concentration that makes it the unmistakable visual centre. The highest-chroma note - #997B5F - appears at just 1.6%, deployed as a precision accent against the quieter ground. The full value range is 74 units: broad enough to build convincing three-dimensional form. The combination of mid-to-high key, balanced temperature, and elevated chroma is characteristic of Impressionist observation: light broken into its component hues.