Constructivism is high in key: pale, luminous, and filled with optical air. Cool tones set the register here - the blues and greens easily outweigh any warm accents. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The palette gives 35.2% of the composition to a single #DCD9D4 - a decisive chromatic anchor. The highest-chroma note - #C8A252 - appears at just 1.5%, deployed as a precision accent against the quieter ground. 64 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.