The high-key values of Constructivism give it an effulgent, almost bleached quality. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The dominant colour, #F7F9ED, takes 67.0% of the total area, establishing the overall mood before any other hue is introduced. The most saturated colour, #D74D37, is reserved to 1.4% of the surface, where it acts as a focal punctuation. At 60 units of value range, the palette has the tonal breadth to sustain complex spatial readings. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source.