Charles Turner occupies the comfortable middle of the value scale, avoiding both extremes to hold the eye in a sustained middle grey. Cool hues prevail: blues, greens, and greys anchor the palette's emotional temperature. Every colour is desaturated; the palette proceeds through near-neutrals and gently-coloured greys. The most saturated colour, #F2EAD8, covers 2.4% of the surface: too much to call an accent, too strong to ignore. 65 units of value range underpin the palette's structural clarity: the eye always knows where light falls. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Palette 3 sits within the larger chromatic argument that Charles Turner's complete body of work advances.