Anders Andersen-Lundby sits in the centre of the value range, lending the palette a sense of even, sustained light. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. Chroma hovers near zero; colour declares itself through subtle shifts in hue rather than outright saturation. The highest-chroma note - #DADDC2 - appears at just 5.0%, deployed as a precision accent against the quieter ground. From deepest dark to palest light, the palette traverses 64 units of the value scale - a span that creates natural depth. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. This is the light Anders Andersen-Lundby preferred, made measurable.