Berény Róbert is strongly light-biased - shadow is suggested rather than declared. A distinctly cool atmosphere runs through this palette: sky, water, and mist given colour form. Chroma is kept low across all colours, producing the soft, enveloping quality that characterises tonal painting. The highest-chroma note - #D4896D - appears at just 4.2%, deployed as a precision accent against the quieter ground. Spanning 43 units on the value axis, the palette achieves the balance between tonal flatness and fragmentation. The mid-to-high key, cool bias, and moderate chroma point to outdoor observation - sky and diffused daylight as the dominant light source. Berény Róbert's palette 1 carries its own internal logic while remaining in conversation with the artist's broader colour intelligence.