Anthony van Dyck sits in the centre of the value range, lending the palette a sense of even, sustained light. Heat pervades this palette; warm chromatic identities outweigh cool ones at almost every weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. Anthony van Dyck gives 27.3% of the composition to a single #4D3A23 - a decisive chromatic anchor. #9C543D functions as the palette's exclamation mark: highest chroma, lowest percentage (3.7%). The value range of 53 units sits in the comfortable middle: enough depth, enough light, neither extreme. Palette 12 sits within the larger chromatic argument that Anthony van Dyck's complete body of work advances.