Low-key values are the structural spine of William Harding Smith, giving it gravity and atmosphere. Blues and teal-greys govern the palette, lending it an aquatic or atmospheric quality. All colours lean toward grey, building depth through value rather than colour punch. 28.7% of the palette belongs to #1E1F1B, a concentration that makes it the unmistakable visual centre. #614226 delivers the chromatic peak at only 2.5% - a small shot of colour with outsized visual impact. Value range is moderate at 27 units - enough contrast for legibility, not so much as to fragment the tonal unity. Together these qualities place William Harding Smith firmly in the tonal tradition - concerned with mood and atmosphere rather than chromatic display. Palette 2 sits within the larger chromatic argument that William Harding Smith's complete body of work advances.