Darkness anchors Wilhelm Marstrand; light is rationed, creating dramatic contrast rather than open air. Temperature reads distinctly warm: the reds and earth tones from Wilhelm Marstrand carry the compositional weight. Saturation is deliberately withheld - the beauty here lies in the near-monochromatic gradations rather than colour difference. #151211 claims 25.1% of the surface, functioning as the work's tonal foundation. #AC8A67 functions as the palette's exclamation mark: highest chroma, lowest percentage (3.1%). Value range is moderate at 47 units - enough contrast for legibility, not so much as to fragment the tonal unity. The combination of low values, muted chroma, and compressed range is the signature of the Tonalist mode - painting as atmosphere. This is palette 9 of Wilhelm Marstrand's sequence - a single chapter in a chromatic story told across many works.